Excellent work.
However, stabilizing across the 7-frame splice hides the camera jump,
which is evidence that the splice was an attempt (by the FBI) to hide Tina
Towner’s camera jiggle reaction to an early first shot. See my video:
In the first instance, the stabilization gives us less
information, not more.
Note the sharp upward movement during the missing frames, a
radical aberration from her otherwise smooth-as-glass pan. Added yellow lines
help show this sharp rapid movement within 0.307 of a second (the Towners'
camera filmed at 22.8 frames per second). The splice is between T084 and T085.
This video uses retouched versions of these frames not obscured by splicing
cement.
